You Get What You Need| RHODE ISLAND PHOTOGRAPHER

"You can't always get what you want
But if you try sometimes you just might find...

You get what you need."

- The Rolling Stones

Expectations don't always pan out. I went into a situation yesterday looking for one thing and found another. Instead of being disappointed that I didn't get what I wanted, I realized I found exactly what I needed.

On a whim, I had signed up for a group photography walk in nearby Newport, Rhode Island. The walk was organized by a major online photography community, of which I am a thus far barely-participatory member. One of the group leaders was a photographer I'd connected with online, and I looked forward to meeting her in person.

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I also hoped to befriend some new people who share my interest in photography. My "photography friends" are, for the most part, people I've met online, and I looked forward to the opportunity to connect with photographers who feel a little less like imaginary friends.

I arrived late and frazzled. A carpool snafu meant I'd had to make a last minute one-hour round-trip drive in the opposite direction before packing up and driving an hour to Newport. A GPS fail meant I'd missed a turn. As I approached the park where we planned to meet--fifteen minutes late--I saw a group of people with cameras around their necks and knew I was in the right place.

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We introduced ourselves and started off on our photo walk, each pausing or wandering off as a potential image struck her. Everyone I met was very nice, and the friend I'd made online was just as charming in person.

The awkward thing was that I was the only person who had come alone. Many of the participants' families were stationed at nearby Fort Adams. They already knew each other and spoke largely of issues related to their community. At least three other pairs of photographers arrived from elsewhere, but they stuck together with the buddy they'd brought.

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No one was rude. In fact, everyone was lovely. Yet I spent much of the time feeling like the only person at a party who doesn't know the other guests, sidling up to random groups and trying to glom on to conversations in progress. I hate those kinds of parties.

In spite of this, I had a fabulous time. It wasn't the people I needed after all, but the photography.

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Taking photos in an unfamiliar environment was invigorating, and it was fun to focus on something other than portraiture. I've been concentrating upon portrait photography lately, as that is where I plan to take this business. But I've always loved quiet time spent alone photographing things. Newport was a whole town of new things.

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I had planned on joining the other photographers for dinner afterward, but the group had splintered during the walk, and none of the people I ended with were planning to go to dinner. I was having a great time with my camera and wasn't hungry, so I decided to take one lap around the park before joining the rest of the group at the restaurant.

I never made it. I was having too much fun by myself.

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After the two hours I'd spent walking around Newport with the other photographers, I spent an additional hour alone at the water's edge as the sun was setting. With no time constraints and no agenda, I took the time to notice my surroundings, to see how the light was shining through the clouds, and to set up the shots I wanted.

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I finished my third hour of photography relaxed and refreshed, excited to download the images to my computer and get to work. After culling and editing, I'm as excited as I was when I turned off the camera last night. I'm pleased with the results.

I may not have made a photography buddy, but I realized I don't need what I thought I wanted. I prefer to shoot alone, without the distractions of conversation or someone else's agenda. It energizes me.

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I still seek the camaraderie of photographers, but only when the shooting and editing is complete. My other friends can only feign so much interest; I want to talk photography with people who are as excited by it as I am. I want to share my work, get critiques on it, and learn new techniques. Fortunately for me, I can do so when I otherwise would be sitting alone and not talking to anyone--online, from my kitchen, at nearly any hour of the day.

I got what I needed yesterday--creative time with my camera. What I wanted, I already had.

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More Than Not Quitting | RHODE ISLAND FAMILY PHOTOGRAPHER

I am not a quitter. More accurately, I don't wish to be perceived as a quitter.

My fear of failure is greater than my tendency to overshare, so I haven't told you about my latest photography project. I feared I would quit before I finished it, and then you would know I'm a quitter.

But I'm not going to quit.

On January 1, I started a Project 365. My goal is to take one photo per day for an entire year. Today is day 90, and I'm still going strong.

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Why

I hoped to achieve two things with this project. I wanted to develop a habit of bringing my camera with me, and I wanted to improve my photography through constant practice. I've made progress in both.

How

Although this project intrigued me, I was terrified of it. I saw no way I would stick with it. I had tried a Project 52--one photo per week--last year, with lackluster results. In the Project 52, I followed an online group's weekly prompts. Somewhere in the teens, I started submitting any old thing I'd taken regardless of the prompt. By the early twenties, I gave up altogether.

I quit.

If I couldn't take 52 photos, what insanity made me think I'd take 365? 

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In a small photography Facebook group, I admitted my desire and my fear. I asked if anyone could encourage me to try it. Within a few hours, I had my recipe for success--people who share my passion and anxiety.

I created a Facebook support group for photographers wanting to start a Project 365. Unlike many other groups, ours has only a single rule--be nice. Each photographer sets his or her own rules for this personal project. Some use daily prompts, some don't. Some use their DSLR, while some use their camera phone. Some post daily, some only occasionally. What's important is that we share the experience and encourage each other. These photographers made me stick with this daunting project.

I made the project easier for myself by setting only one rule: one photo per day. Any photo counts. While my goal is to take a breathtaking DSLR photo every day, it's not my reality. On many days, the best I can achieve is an iPhone snapshot, and that's good enough for me.

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What I've Learned

When I started this project, I thought I would most enjoy documenting my family's daily life. Many photographers wax poetic about capturing the little details or documenting fleeting moments. That sounded good to me.

To date, nearly half of my Project 365 photos have been of my children. I'm grateful I've had my camera at moments I once might have missed, and I know that I'll be happy to have these photos in the future. Right now, however, they are not my favorite Project photos.

I suspect it's because I would have taken most of them anyway. Without a Project 365, I would have fewer photos of my kids, but I'd still have plenty. 

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I also think it's because--at least right now--my best photos are not in the storytelling style that I prefer, and it has everything to do with the way I took them. 

My favorite photographers are street photographers and the FSA photographers of the 1930s, like Dorothea Lange and Walker Evans, who tell a story through a portrait of a person in his environment. Yet my best Project 365 photos, and those I've most enjoyed taking, have no people in them at all.

I've most enjoyed my nature and architecture images. When I took them, I was alone. I had time to observe the light, to think about the image I wanted to create, and to decide how to do it. I took my time, and the results show it.

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New Goals

As the first quarter of my Project 365 comes to a close, I have two new goals. First, I want to find more solitary moments to concentrate on what I see through my viewfinder. Second, I want to apply my best photography skills to storytelling images.

I want to bring my "A" game to my most meaningful photos--those of my family. Rather than grab a quick snapshot and hope for the best, I plan to take my time, creating the best possible shot with intention. To do that, I need to slow down and continue to improve my camera fundamentals and composition. As those become more automatic, great results should happen more intuitively.

For that, I need practice. Luckily, I've committed to doing that every day for the next 275 days. 

And I will not quit.